A sour, vitriolic and pessimistic vision for the Seventies after the death of the hippie dream, The Stooges’ gritty, sleazy second album ‘Fun House’ is a proto-punk classic.
Heavier and more robust than previous releases, PINS’ third album ‘Hot Slick’ nevertheless retains the playfulness that made them so enjoyable when they emerged.
A beginner’s guide to gothic electro-pop overlords Depeche Mode – including profile, discography and playlist.
Elastica’s skillful, accessible reconstitution of their obvious post-punk influences made their 1995 self-titled debut one of the fastest-selling albums in UK history.
Our countdown of the 200 greatest albums released from 2010 to 2019.
A gloriously messy melange of ideas which don’t all work, Warmduscher’s third album ‘Tainted Lunch’ is totally compelling nonetheless.
A 10-track overview of Underworld’s year-long ‘Drift’ multimedia project, this necessarily imperfect collection contains some of the band’s best work of the last 20 years.
Turning his neuroses inwards, David Byrne and Talking Heads delivered their first proper masterpiece in 1979 with third album ‘Fear Of Music’.
One of the most iconic and influential indie albums of all time, Joy Division’s 1979 debut album ‘Unknown Pleasures’ turns 40 years old.
The final part of the fabled Berlin trilogy, ‘Lodger’ is under-appreciated in David Bowie’s discography but provided a bridge to his glittering pop future.
