Canadian indie-rock veterans The New Pornographers keep things very much the same as ever on eighth album ‘In The Morse Code Of Brake Lights’ – and that’s a great thing.
Noel Gallagher’s latest EP ‘This Is The Place’ is a psychedelic indulgence in Madchester-inspired nostalgia.
Danish trio Efterklang return after a seven-year break with the entrancing ‘Altid Sammen’, their first album to be sung entirely in their native tongue.
Her first solo album outside of Alabama Shakes, Brittany Howard roots ‘Jaime’ in her previous sound but leans to a more tender and experimental style.
On their self-titled fourth album, Chastity Belt fully and expertly embrace the more mature, anxious sound they began exploring last time out.
On ‘Why Me? Why Not.’, Liam Gallagher amplifies and doubles down on the successful parts of his 2017 solo debut.
Embracing a gothic, more intimate style, Chelsea Wolfe opens up new avenues for her sound with latest album ‘Birth Of Violence’.
While it wears its Springsteen influences a little too heavily at times, ‘Hypersonic Missiles’ demonstrates Sam Fender’s storytelling qualities in abundance.
A curious, diverse yet vaguely conceptual album designed to be picked apart for personal playlists, ‘Metronomy Forever’ sees Joseph Mount enter yet another new phase.
Weaving something unmistakably fantastical into his bedroom pop aesthetic, Alex Giannascoli ascends to a new level on his latest (Sandy) Alex G album ‘House Of Sugar’.
