Tyler, The Creator takes the creative template he established on ‘Flower Boy’ to the next level on stunning new album ‘IGOR’.
Adopting a rotating cast of female co-vocalists and embracing more influences than ever before, ‘I Am Easy To Find’ represents the most ambitious album by The National yet.
Meshing her avant-garde and pop sensibilities into a coherent and striking insight on AI learning, ‘Proto’ is another incredible album by Holly Herndon.
Delivered at a stable pace and focussed on songwriting, ‘U.F.O.F.’ is the most expansive Big Thief album yet.
In the spirit of all the best post-punk, Drahla’s long-awaited debut album ‘Useless Coordinates’ suggests limitless possibility.
Full of cryptic imagery and vivid storytelling, ‘Designer’ sees Aldous Harding journey even further down the path that’s made her so celebrated already.
Exploring church music and the nature of faith in the modern world, ‘Oh My God’ is yet another excellent album in Kevin Morby’s catalogue.
Local Natives’ fourth album ‘Violet Street’ is a much freer expression of their talents than any of their other records.
A loose concept album of hope and strength in the face of disillusionment, Bridie Monds-Watson’s second SOAK album ‘Grim Town’ is a leap forwards.
King Gizzard & The Lizard Wizard use psychedelia to regress to innocence and childhood on ‘Fishing For Fishies’.
