In a sentence:
Local Natives’ fourth album ‘Violet Street’ is a much freer expression of their talents than any of their other records.
Violet Street,the fourth studio album from
California-based Local Natives, is a
reminder that finding fresh dynamic within a band context is something that a
group of seasoned musicians very often needs. Following the
solid-hand-on-the-tiller feel of 2016’s Sunlit
Youth, the band opened up to collaboration and vulnerability, taking
inspiration from the vintage methods of writing music and as explained by
Taylor Rice (vocal/guitar), simply being together in a studio and bouncing
ideas off of eachother was the key to creating an environment where no song was
too weird and no sound was out of place.
The band worked on their new record with producer Shawn Everett, whose credits include The War On Drugs, Alabama Shakes and Kacey Musgraves. Recorded in a studio on Violet Street in Los Angeles over a span of twelve months, for which the album was named, the results are a reflection of the rejuvenated Local Natives, whose ability to express themselves without any constraints has resulted one of their best records yet.
Am I Gonna Lose You’ couldn’t have done a better job as a single for the
album – anthemic and bursting with energy, the song’s darker build-up perfectly
conveys the fear of losing the person you love. The following song, ‘Café Amarillo’ is equally
sincere and heartfelt – equipped with an intense bassline, profound lyrics, and
topped with mesmerising harmony in the chorus, it’s an uplifting moment, even
when “it’s raining on both ends of the
Each consecutive song on the album also possess something captivating in their melody, hook or lyrics – Local Natives confronted their lived experiences and based their storytelling on authentic connections, struggles and reflections. ‘Shy’ examines the idea of toxic masculinity, while ‘Garden Of Elysian’ brings out the nostalgic side of the band with some of the best lyrics on the album.
Violet Street closes
with ‘Tap Dancer’
which ponders the passing of time and the concept of the past being simpler
than the present: “I don’t know,
Everything was easier before / Take me back, Before I knew of artificial roses”,
Rice croons. When the album reaches its conclusion, it’s difficult not to
appreciate Local Natives’ openness, sincerity and sonic creativity, all of
which made Violet Street as
energising and captivating as it could ever be. (8/10) (Alicja
Listen to Violet Street by Local Natives here via Spotify, and tell us what you think below!
Tags: album, Alicja Rutkowska, Kelcey Ayer, Local Natives, Loma Vista, Matt Frazier, Nik Ewing, review, Ryan Hahn, Taylor Rice, Violet Street
More of the same tired old beats and hokey home-spun…
'Transfiguration Highway', the sixth album from Canadian indie act Little…
While its highlights are truly tremendous, BDRMM's semi-eponymous debut 'Bedroom'…
Your email address will not be published.
This site uses Akismet to reduce spam. Learn how your comment data is processed.