Mogwai’s ninth studio album ‘Every Country’s Sun’ represents a rare wobble in an otherwise powerful and profound back catalogue.
Kip Berman resurrects The Pains Of Being Pure At Heart for a first album in nearly four years, and it contains all the elements that made them great without really pushing the envelope.
Nadine Shah’s politically and socially on-point third album ‘Holiday Destination’ should see her access a wider audience.
Pvris’ second album ‘All We Know Of Heaven, All We Need Of Hell’ begins brilliantly but all feels a bit overdone by the end.
Recovering from critical and commercial disaster last time out, Jake Bugg’s fourth album ‘Hearts That Strain’ sees him back in familiar if entirely unoriginal territory.
Sam Beam’s sixth Iron & Wine album ‘Beast Epic’ sticks very closely to the same formula that’s made him such a celebrated figure in the indie/folk scene for so many years.
Having dropped the ‘Thee’ from their name, John Dwyer’s Oh Sees attempt to move onto a new phase of their career with 19th album ‘Orc’.
Queens Of The Stone Age deliver an exceptional and inventive album in ‘Villains’, that proves guitar music still has life in it yet.
On ‘A Deeper Understanding’, Adam Granduciel travels even further into his own haunted mindscape to make another War On Drugs masterpiece.
Full of moody, cinematic soundscapes, James Lavelle’s first UNKLE album in seven years sounds impressive but lacks a little pace and spark.