Bringing in electro-pop producer Richard X for their fifth album ‘Love Is All You Love’ was a necessary but not entirely successful attempt at change for Band Of Skulls.
Teaching listeners to embrace their dysfunctions, ‘Morbid Stuff’ is the angriest and yet most empathetic PUP record to date.
Worn-out musical inspirations and lazy songwriting make Circa Waves’ third album ‘What’s It Like Over There?’ a significant let-down.
Full of teenage angst, drama, insecurity and insight, ‘When We All Fall Asleep, Where Do We Go?’ shows why Billie Eilish has been quite such a divisive figure.
Belgian trio Brutus meld post-hardcore, black metal and hard rock to make some thrilling compounds on their sophomore album ‘Nest’.
As technically accomplished and emotionally affecting as ever, American Football’s third self-titled album continues to make the band’s reunion worthwhile.
The first album from former Rilo Kiley singer Jenny Lewis in five years, ‘On The Line’ is an immersive break-up album with a polished surface of nostalgia.
Spanning 10 years, three albums and an EP, ‘The Beirut School’ is an excellent snapshot of what makes Lebanese indie-pop activists Mashrou’ Leila so compelling.
Shabaka Hutchings’ brilliant career continues with the invigorating sophomore record from The Comet Is Coming.
Indoor Pets’ story so far has been a bit of a struggle, but ‘Be Content’ is a great pay-off, brimming with fun and loud indie-pop.
