Balancing beauty and meditation with violence and anger, ‘Carnage’ is a strange, near-flawless display of Nick Cave’s artistry.
Gauzy, dreamy folk-pop meets intimate songwriting on Katy Kirby’s stellar debut album ‘Cool Dry Place’.
Managing to exploit small opportunities for invention in their established post-rock template, ‘As The Love Continues’ is another great Mogwai album.
On fourth album ‘Glowing In The Dark’, Django Django partly rediscover the danceable art-rock roots that established them a decade ago.
Slowthai’s paradoxical sophomore album ‘TYRON’ delves into the duality of his psyche, yielding some career highlights that are occasionally let down by underdeveloped ideas.
Mush’s second album ‘Lines Redacted’ feels musically over-stylised, which blunts the impact of their excellent lyrics.
Human and generous, ‘Ignorance’ not only represents a significant overhaul in their sound, but also the best thing that The Weather Station have made so far.
A dynamic display of sardonic, muscular post-punk, TV Priest’s debut album ‘Uppers’ is greater than many of the current crop of revivalists’ efforts.
Drawing on more diverse influences than normal, Foo Fighters’ 10th album ‘Medicine At Midnight’ feels like a transitional statement.
Pulling post-punk, krautrock and jazz into thrilling new shapes, Black Country, New Road’s ‘For The First Time’ is one of British indie’s finest debuts for years.
