For their 13th album ‘Different Days’, The Charlatans raid their contacts list to help them produce their best album in two decades.
Massively expanding the potential for what an album could actually be, there can be few albums as important to the development of pop music than ‘Sgt. Pepper’s Lonely Hearts Club Band’.
‘Black Origami’ is a modern electronic masterpiece, strikingly original and promising a huge artistic and commercial future for Jlin.
John Darnielle’s 16th album with The Mountain Goats contains a handful of quality highlights but is ultimately a mixed bag.
Swans’ final UK tour in their current iteration is testament to the redemptive power of savage noise.
Radiohead’s second career masterpiece ‘OK Computer’ is as frighteningly prescient and relevant in 2017 as it was in 1997.
Paul Weller’s second album of 2017 ‘A Kind Revolution’ shows that his creative resurgence shows no signs of stopping.
To mark the 25th anniversary of their debut single ‘The Drowners’, we rank Suede’s singles from worst to best.
Kasabian’s sixth studio album ‘For Crying Out Loud’ sees them go over old ground yet again.
With eighth album ‘In Spades’, the resurrection and second chapter of The Afghan Whigs continues with considerable force and vigour.
