A sonically similar companion piece to ‘folklore’, Taylor Swift’s ‘evermore’ is lush and detailed both lyrically and musically.
Smashing Pumpkins’ ambition exceeds their grasp on ‘CYR’, but at least it’s admirably and respectably different for them.
Gathering up four years’ worth of festive covers in a one-off EP titled ‘If We Make It Through December’, Phoebe Bridgers nails the more reflective aspects of Christmas perfectly.
Overuse of microtonal riffs and progressions leads to the first falter of King Gizzard & The Lizard Wizard’s industrious career on 16th album ‘K.G.’
An artistic and emotional triumph, The Cribs’ eighth album ‘Night Network’ finds the brothers Jarman in e
Lo-fi but polished and precise, the self-titled debut from Mamalarky is the result of deep musical knowledge and meticulous attention to detail.
While there are a healthy number of inspired takes on beautiful heartbreak originals, Marika Hackman’s ‘Covers’ is too uniformly sombre.
Medium and message combine perfectly on Tiña’s characterful and heart-warming DIY psych pop debut ‘Positive Mental Health Music’.
‘Tunng Presents… Dead Club’ may concern the end of life, but is emotionally instructive on how we should live in the here and now.
While some ideas could have done with being explored further, Daniel Lopatin colourfully explores his memories of radio on ‘Magic Oneohtrix Point Never’.
