Porridge Radio’s second studio album ‘Every Bad’ is sharper and more detailed than their 2016 debut.
Sarah Barthel and Josh Carter’s fourth Phantogram album ‘Ceremony’ is like a well-acted film without a strong enough story.
Letting our collective anxiety about the state of the world stew in glacial, literate pop, Meghan Remy’s latest U.S. Girls album ‘Heavy Light’ is different to her previous masterpiece.
Hitting a sweet spot between indie, funk and psych-rock, ‘Disco Volador’ is an infectious triumph for The Orielles.
‘La Vita Nuova’, a surprise new six-track EP from Hélöise Letissier’s Christine & The Queens, expounds on the same themes as 2018’s album ‘Chris’.
Sophie Allison’s second Soccer Mommy album ‘Color Theory’ is much darker and more unflinchingly personal than her sensational debut.
On fifth album ‘The Main Thing’, Real Estate begin their second decade of existence with a wistful, yearning collection that’s a bit too business-as-usual.
His fifth Caribou album, ‘Suddenly’ is more personal and vulnerable than anything in Dan Snaith’s catalogue, but it also includes plenty of festival-friendly hits.
Vibrant, soulful and urgent, Newcastle’s Lanterns On The Lake reach a new level with fifth album ‘Spook The Herd’.
Rich in autobiographical elements as well as modern electronic bangers, Claire Boucher’s fifth Grimes album ‘Miss Anthropocene’ is a slow-burner but compelling.
