The Student Playlist

Showcasing the Best New Music, Curating the Classics

Tag classic album

CULT ’00s: Klaxons – ‘Myths Of The Near Future’

A colourful adventure playground of album that boasted lethal pop hits, ‘Myths Of The Near Future’ rocketed Klaxons to national fame. But it was all over very quickly…

CLASSIC ’70s: David Bowie – ‘Low’

Arguably the most radical reinvention of David Bowie’s chameleonic career, ‘Low’ is one of the very finest artistic achievements of the 1970s.

CULT ’90s: DJ Shadow – ‘Endtroducing…..’

The enormous critical success and cult following which DJ Shadow’s seminal debut Endtroducing….. attracted has been a double-edged sword for its creator over the subsequent two decades. The first ever album to be constructed entirely from samples, according to the Guinness Book of World Records, it came to so completely encapsulate the hazy, smoky trip-hop that became fashionable in the late ‘90s that it’s been an millstone for Josh Davis

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CULT ’90s: Belle & Sebastian – ‘If You’re Feeling Sinister’

In some circles, the fact that If You’re Feeling Sinister did not make Belle & Sebastian the most popular band of the late 1990s is regarded as the greatest injustice in the history of popular music, such is the devotion it inspires. While that may be an overstatement, it is certainly not contentious to say that Belle & Sebastian divide opinion. All of the characteristics for which their fans adore

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CLASSIC ’80s: Beastie Boys – ‘Licensed To Ill’

The runaway success of Beastie Boys’ 1986 debut album Licensed To Ill marked the point at which rap and hip-hop truly went overground, becoming a mainstream phenomenon for the very first time. Along with Run D.M.C.’s similarly classic Raising Hell just a few months previously, it represented a watershed moment for the genre, finding a home on MTV when previously it was confined to the underground and those in the

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The 200 Greatest Albums of the 2000s

The 2000s, or ‘the noughties’, as it quickly came to be known, was a decade of profound and paradoxical change for popular music. At the turn of the millennium, the music industry was still at the height of the CD era, with major labels posting record profits; but by December 2009, physical album sales were through the floor, HMV was close to going bust, the humble single format was all

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CULT ’80s: New Order – ‘Brotherhood’

New Order had little left to prove with ‘Brotherhood’, but their fourth album shows that their songwriting was getting sharper all the time.

CULT ’90s: Weezer – ‘Pinkerton’

Largely derided upon release, ‘Pinkerton’ has enjoyed a massive critical resurgence in the 20 years since it came out.