The Student Playlist

Showcasing the Best New Music, Curating the Classics

Category Reviews

REVIEW: Teenage Fanclub – ‘Here’ (Merge)

‘Here’ is by no means the most cutting-edge rock record you’ll come across in 2016, but it neither needs nor wants to be.

REVIEW: Local Natives – ‘Sunlit Youth’ (Infectious)

‘Sunlit Youth’ is a celebration of hooks and nuances with a developing sound which suggests Local Natives are more than ready to truly break out into the minds of the masses.

REVIEW: Zomby – ‘Ultra’ (Hyperdub)

‘Ultra’ is an often experimental and occasionally enthralling addition to Zomby’s growing discography.

REVIEW: Izzy Bizu – ‘A Moment Of Madness’ (Epic)

Three years for most artists is an eternity when making their debut LP, but at times it feels like Bizu could have taken longer to create her own identity during ‘A Moment Of Madness’.

REVIEW: Jamie T – ‘Trick’ (Virgin)

‘Trick’ reconciles the soulful street poetry of his first two records with his new-found sense of maturity, and it’s Jamie T’s most consistently enjoyable album so far.

REVIEW: Banks & Steelz – ‘Anything But Words’ (Warner Bros.)

by Ollie Rankine Artist collaborations experimenting with the fusion of rock and hip-hop are naturally apprehensive ordeals for both musicians and fans to patiently endure until the release date. The pairing of the two genres have previously tasted commercial success within Aerosmith and Run-DMC’s 1986 version of ‘Walk This Way’ and then later, Linkin Park and Jay Z also proving its viability with their 2004, rap rock mash-up, Collision Course.

REVIEW: De La Soul – ‘…and the Anonymous Nobody’ (A.O.I. Records)

A playful yet prolific record that boasts all the versatile musicality, eclectic collaborations and stimulating lyricism for which their fans have always loved them.

REVIEW: Cassius – ‘Ibifornia’ (Warner Bros. / Ed Banger)

by John Tindale It has been a full decade since French electronic duo Cassius last released an album in the form of 15 Again, an Ibiza-infused celebrating house during a lull for the genre. Ibifornia, a blending of the club of Ibiza and the sun of California, is an ambitious and risk-taking affair that, unfortunately, misses its target too often.

REVIEW: Glass Animals – ‘How To Be A Human Being’ (Wolf Tone)

by Ed Biggs Since their dense and detailed 2014 debut album ZABA, Oxford’s folktronica four-piece Glass Animals have made impressive commercial strides into key markets across the world. America seems to be falling in love with them, and Britain isn’t far behind, with recent single ‘Life Itself’ getting serious radio rotation.