The Student Playlist

Showcasing the Best New Music, Curating the Classics

Category Reviews

REVIEW: Yeasayer – ‘Amen & Goodbye’ (Mute)

by John Tindale It’s been four years since the release of Yeasayer’s last album Fragrant World, a wonderfully eclectic album which balanced experimental electronics with a pop sound to dazzling effect. But, much like in Yeasayer’s other work, there was always that feeling of more to come, another gear to go through – unfortunately for Amen & Goodbye, the group’s fourth, this is a feeling that will remain for at least

Continue reading…

REVIEW: Weezer – ‘Weezer’ (a.k.a. ‘The White Album’) (Atlantic / Crush)

by Ed Biggs As lead singer and creative fountainhead of Weezer, Rivers Cuomo has overseen one of the most bizarre career arcs ever. Creating twin masterpieces in the mid ‘90s with their first self-titled record ‘The Blue Album’ and then Pinkerton, which sprawled across the dividing lines between pop, rock, indie and emo, Cuomo’s form gradually went completely off the rails with the turn of the millennium.

REVIEW: Explosions In The Sky – ‘The Wilderness’ (Temporary Residence Ltd.)

by Ollie Rankine The Wilderness is perhaps an appropriate album title when considering the content of Texan post-rockers Explosions In The Sky’s newest artistic venture. Although retaining the gentle, dream-like guitar riffs that have featured in previous works all the way back to their 2003 masterpiece The Earth Is Not A Cold, Dead Place, EITS have stepped into the bottomless unknown to explore much deeper territories of music.

REVIEW: The Last Shadow Puppets – ‘Everything You’ve Come To Expect’ (Domino)

Music’s favourite intense bromance is back after eight long-awaited years. The Last Shadow Puppets’ widely acclaimed 2008 debut album The Age Of The Understatement showcased Miles Kane as an indie rock playboy with his own fan base and Alex Turner’s ability to ditch the smart indie disco hits about teenage life in Sheffield for string-laden ballads and melodramatic ‘60s pop, leaving fans wanting more from the dashing duo.

REVIEW: Pet Shop Boys – ‘Super’ (x2)

by Ed Biggs After three glorious decades, 13 studio albums and a vast arsenal of hit singles that have irrevocably altered the landscape of British pop music, it’s well past time that Pet Shop Boys were recognised as one of the greatest bands this country has ever produced. As a former Smash Hits writer and assistant editor, Neil Tennant always argued strongly for pop to be recognised as equal to, or

Continue reading…

REVIEW: Mogwai – ‘Atomic’ (Rock Action)

by Ollie Rankine The thought of living in an age where the mere, simple push of a single button could begin the cataclysmic implosion of humanity as we know it is certainly not reassuring to say the least. The desire to harness the colossal capabilities of nuclear power has become subject to primary interest of superpowers around the world. The idea of developing something with such formidable potential is mind-bogglingly fascinating

Continue reading…

REVIEW: Iggy Pop – ‘Post Pop Depression’ (Loma Vista)

by Matthew Langham Produced by Josh Homme of Queens Of The Stone Age, Iggy Pop’s 17th studio album has been rumoured in some quarters to be his final one, and features a star-studded line-up. Homme himself plays guitars alongside contributions from Arctic Monkeys’ Matt Helders on drums and QOTSA’s own Dean Fertita. Dropping a sly clue as to his possible retirement with the brilliant title Post Pop Depression – who knows

Continue reading…

REVIEW: Liima – ‘ii’ (4AD)

by Ollie Rankine It’s nearly four years since the release of Efterklang’s Piramida, and after recently recruiting Finnish percussionist, Tatu Rönkkö the Scandinavian trio have eventually returned under their new name Liima with debut album, ii. Following four week-long bouts of writing in Finland, Berlin, Istanbul and Madeira, Liima have matured from Efterklang’s previous four albums by establishing a far more complex sound.

REVIEW: iLoveMakonnen – ‘Drink More Water 6’ (Warner Bros.)

by John Tindale iLoveMakonnen, aka Makonnen Sheran, has long been on the attention of the masses without ever releasing an album and while Drink More Water 6 may not be a debut record, instead the latest instalment in a line of mixtape releases, it feels like the closest thing we’ve gotten from the Atlanta based star. After shooting to fame with ‘Tuesday’ (an R&B styled pop song that got over 100

Continue reading…

REVIEW: HÆLOS – ‘Full Circle’ (Matador)

by Ollie Rankine We all know that feeling of walking through the front door during the early hours of the morning after a particularly strenuous night out. Varying emotions cloud the familiar lethargic reflections of the previous hours spent laughing with friends and embarrassing yourself on the dance floor of the chosen club of the evening. Most of us combat the comedown by finding solace in the left over takeaway that

Continue reading…