Comfortingly familiar, ‘Until The Hunter’ is minimal, understated and refreshingly free of anything overly complex.
Where other rock duos fall down through trying too hard, Honeyblood achieve great quality effortlessly.
Strong, old-school production and tireless verses will remind you why Common has outlasted so many other rappers on the scene.
‘Apocalypse Fetish’ shows just why Barlow has been able to enjoy such a long and fruitful career in the music industry.
‘Third World Pyramid’ is a solid but very much ‘business as usual’ statement from a band that’s long since become an alternative institution.
Often characterised by their distinct pop/indie hybrid aesthetic, Luke Steele and Nick Littlemore have long proven their ability in satisfying the appetite of an unusually varied audience. After arriving flamboyantly on scene in 2008, their debut We Are The People quickly generated the interest of riff and beat lovers alike whilst their vibrant stage shows ensnared the remaining few. Although the Australian duo are able to continue shamelessly riding the
Continue reading…
The ‘new wave’ of psychedelia that has emerged in the last five or so years has produced many an average, floppy-haired band that are so shoegaze you actually find yourself gazing at your own shoes and falling asleep. Yet there have equally been those who have restored faith in the genre, pushing it forward into fresh and exciting territory. And Brighton-based quartet TOY have certainly played their part. Tripping onto
Although ‘Mapping The Rendezvous’ is Courteeners’ most diverse and interesting record to date, its identity is muddled.
With ‘Lady Wood’, Lo hasn’t managed to explore that aspect of her persona enough and grow from what she introduced us to on ‘Queen Of The Clouds’.
Integrity Blues is a sonically cohesive and very well produced album that will satisfy both old and new listeners.
