by Ed Biggs When Massachusetts native Sadie Dupuis first began Speedy Ortiz as a casual recording nom de plume four years ago, she can’t have presumed that the indie world would be anticipating her third album as much as this in 2015. After an internet release that year called The Death Of Speedy Ortiz, her group attracted the attention of the national rock press in 2013 with Major Arcana, the kind
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by Ed Biggs Electronic pop outfit Passion Pit, the brainchild of Massachusetts native Michael Angelakos, have delivered an eagerly awaited third album. Kindred follows three years after the well-received Gossamer, which achieved the interesting balance of sounding musically upbeat but thematically bleak. In it, Angelakos frequently lamented and berated himself about how he tended to let down people close to him. In the aftermath of its release, he revealed his
by Ed Biggs With their 2012 debut Boys & Girls, Alabama Shakes pushed their way to the front of the most recent retro-rock revival, alongside the likes of The Black Keys. Using authentic American soul and rock influences, from Curtis Mayfield, Otis Redding and recordings from the Muscle Shoals studio (located in the state which gives them their name), it was a fun, stripped-down experience. At the time, some pointed
by Ed Biggs White Shadows is a collaboration project between The Vines’ Craig Nicholls and Empire Of The Sun’s Nick and Sam Littlemore. Those with long musical memories will recall The Vines’ soul-destroying mediocrity in the pursuit of three-chord glory, writing songs pitched at sheltered suburban teens whose sentiments were as shallow as an O.C. plotline. But Nicholls has pitched Secret Of Life as an entirely studio-based project, with no
by Ed Biggs Manchester four-piece The Slow Readers Club are now on their second album, looking to break out and reach an audience outside of the city that loves them so much. Cavalcade is much more consistently down-beat fare than their 2011 debut. Judging by his lyrics, lead singer Aaron Starkie seems to be in a permanent state of Proustian lamentation for the lost days of carefree early adulthood. ‘Forever
by Ed Biggs The initially unloved Wowee Zowee’s twenty year journey to being considered a masterpiece is a curious thing to consider. Possibly because it had to live up to the astronomical expectations built up by its predecessors Slanted And Enchanted (1992) and Crooked Rain, Crooked Rain (1994), which had seen Pavement hailed in some quarters as the new Nirvana, the next great hope for American alternative rock. Songs like
by Ed Biggs The late eighties saw a couple of seismic events that had same sort of effect on rap that punk had on rock music: those events were N.W.A. and Public Enemy. Just like the brutal basicness of punk’s dictates, these two groups left a profound sonic legacy upon the nascent rap scene that changed it forever. But if N.W.A. were The Sex Pistols in this analogy – with
by Ed Biggs Celebrated Edinburgh trio Young Fathers have wasted no time following up their Mercury Music Prize-winning album Dead. That album was a frequently disorientating assault on the senses, stuffed so full of competing elements that it demanding revisiting simply to take everything in. But, crucially, it had heart, something the likes of Flying Lotus or Everything Everything are sometimes accused of not having in their all-out rush to
by Ed Biggs Last year, William Doyle aka East India Youth was plucked from the burgeoning and anonymous mass of Britain’s bedroom music makers and into the limelight when his debut album Total Strife Forever was nominated for the Mercury Music Prize. It was a record praised for its evocative qualities, of urban loneliness and atomisation, much like The xx’s debut which also gave the illusion of space through its
by Ed Biggs Having been a proper ‘group’ for over a decade and a nom de plume for singer-songwriter John Darnielle for over two, The Mountain Goats are now on their fifteenth album. It’s a project that has long enjoyed a dedicated fanbase but has never really bothered the mainstream, and that’s unlikely to change with Beat The Champ. Not that that’s a bad thing, mind. For this album, Darnielle
