‘God First’, Jack Steadman’s first solo statement outside of Bombay Bicycle Club, is occasionally intriguing but too messy to be consistent.
Mura Masa’s long-awaited debut album doesn’t quite shine with the same lustre as his early EPs and mixtapes, but his original vision for pop still alluring.
Following three hotly-received EPs, Sheer Mag deliver a loving and beautifully executed album in thrall to classic rock.
As a standalone project, A Walk With Love And Death won’t be remembered as a Melvins classic, but more so as a poke in the back to anyone who thought there might be one foot entering the coffin.
After seven long years, the critically acclaimed Broken Social Scene return with a pleasant album which reminds us of their charms.
Chaz Bundick’s fifth album as Toro Y Moi sees the influences of ’80s pop creeping into his chillwave formula.
Having spent nearly four years on it, ‘Something To Tell You’ sees HAIM return with their critic and public-pleasing formula fully intact.
Public Service Broadcasting’s combination of atmospheric instrumentals and archived audio footage focusses this time on the demise of the Welsh coal mining industry.
Lucy Rose’s third album ‘Something’s Changing’ represents a huge artistic leap forwards.
The prolific Mark Kozelek recruits Parquet Courts bassist Sean Yeaton for his latest collaborative project.
