The Student Playlist

Showcasing the Best New Music, Curating the Classics

Tag 25 years old

CLASSIC ’90s: Dr. Dre – ‘The Chronic’

Unquestionably one of the most successful and influential albums in hip-hop history, Dr. Dre’s solo debut album ‘The Chronic’ is a product of its time but its sonics have aged unbelievably well.

CULT ’90s: Rage Against The Machine – ‘Rage Against The Machine’

Full of scintillating riffs and razor-sharp political and social commentary, few albums from 1992 are as relevant today as ‘Rage Against The Machine’.

CULT ’90s: Sugar – ‘Copper Blue’

Formed by ex-Hüsker Dü lead singer Bob Mould, Sugar’s debut album ‘Copper Blue’ was a melodious grunge-pop masterpiece that finally brought its creator the success he deserved.

CULT ’90s: Aphex Twin – ‘Selected Ambient Works 85-92’

25 years on, Richard D. James’ first album as Aphex Twin stands up as one of the key markers in the evolution of British electronica.

CLASSIC ’90s: Primal Scream – ‘Screamadelica’

One of the very few dance records that isn’t tied to its era, ‘Screamadelica’s timelessness was cemented by how it doubled back on rock history, rearranging the past so it pointed to the future, and is arguably the most far-reaching piece of musical exploration in pop’s vast canon.

25 YEARS OLD: Smashing Pumpkins – ‘Gish’

by Ed Biggs Any discussion of Smashing Pumpkins’ career tends to get dominated by their twin masterpieces, Siamese Dream (1993) and Mellon Collie And The Infinite Sadness (1995). Which is fair enough, as these are unquestionably two of the greatest alternative rock records of the nineties, testament to Billy Corgan’s unique vision for heavy rock, but crucial in explaining those albums’ successes is the group’s debut Gish.

CLASSIC ’90s: Massive Attack – ‘Blue Lines’

by Ed Biggs 25 years after its release, it’s difficult to conceive of how different British urban music might sound if it wasn’t for Massive Attack. The Bristol trip-hop collective’s debut album Blue Lines did an enormous amount to broaden the horizons for the fledgling British urban music scene. Chief producer Andy ‘Mushroom’ Vowles adopted the sampling and production culture of American hip-hop and filtered it through the aesthetics of the

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