Mattiel’s second studio album ‘Satis Factory’ doesn’t dwell much on detail but delivers on nostalgia-infused garage rock.
Mac DeMarco plays one of the biggest gigs of his career at Halifax’s Piece Hall on June 27th, with support from Yellow Days, Amyl & The Sniffers and Working Men’s Club.
Hannah Rodgers blooms as a writer and claims an identity and sound of her own with her second Pixx album ‘Small Mercies’.
Doya Beardmore’s first Skinny Pelembe album ‘Dreaming Is Dead Now’ is a laid-back mixture of R&B, folk and indie.
Long but exceptionally fresh, bright and upbeat, Vampire Weekend return after a six-year hiatus with double album ‘Father Of The Bride’.
Full of cryptic imagery and vivid storytelling, ‘Designer’ sees Aldous Harding journey even further down the path that’s made her so celebrated already.
Polly Louisa Salmon’s latest GFOTY EP sees her revel in parodying and satirising modern pop trends, while having tremendous fun to boot.
Full of teenage angst, drama, insecurity and insight, ‘When We All Fall Asleep, Where Do We Go?’ shows why Billie Eilish has been quite such a divisive figure.
A confident album of narrative alt-rock world building, Nilüfer Yanya’s debut record ‘Miss Universe’ introduces the public to a fresh voice.
‘Lux Prima’ by Karen O and Danger Mouse is an expansive and sonically enchanting album, and a truly unforgettable experience.
