The first of FIVE King Gizzard albums to be released in 2017, ‘Flying Microtonal Banana’ is business as usual for the Aussie psych-rockers.
Minnesotan indie four-piece Hippo Campus’ debut album ‘landmark’ lives up to the sterling live reputation they’ve built themselves over the last four years.
Although it feels like he’s been around forever, ‘Gang Signs & Prayer’ is Stormzy’s debut studio album proper. While sometimes overly commercial, it represents another significant milestone for grime.
After five years of silence, David Longstreth delivers a break-up album of rare insight and unpretentious, interesting execution.
Hardcore punk foursome Pissed Jeans’ first album in four years sticks closely to their established formula, but is no less enjoyable for it.
Jesca Hoop’s fifth studio album ‘Memories Are Now’ features yet more strange and evocative lyrics.
Mark Kozelek’s eighth Sun Kil Moon album is as long and epic as its title suggests, which does his unique style no favours at all.
With another helping of scuzzy garage-rock revivalism, not much has changed on The Orwells’ third album ‘Terrible Human Beings’.
With his 16th album in as many years, Ryan Adams still has something to say with ‘Prisoner’.
Despite the social media hype, Atlanta rapper Future struggles to make his own unique impact on the modern hip-hop scene with his latest project.
