by Ed Biggs Given that their 1970 swansong Bridge Over Troubled Water is one of the biggest selling albums of all time, Simon & Garfunkel’s career started inauspiciously to say the least. Having started life as the squeaky clean teen harmony duo Tom & Jerry, their 1964 debut under their own names, Wednesday Morning, 3 AM, disappeared without trace.
by Ed Biggs 1965 proved to be the making of The Beatles as a long-term artistic force. In an era where careers could be over within months, never mind years, the band had enjoyed a dazzling run of creativity and bagged a shedload of hit singles in the first three years of their career, but by 1965 were at risk of being outflanked by newcomers. The Who and The Rolling Stones
by Ed Biggs With important albums turning 50 years old in the next 12 months, it’s perfectly arguable that Bob Dylan is the greatest artist of the 1960s, whose willingness to experiment with what pop music could sound like, and what topics it could address, predates even that of The Beatles. Fans often cite the three albums he made in 1965 and 1966 as his golden age, which saw him make
by Ed Biggs As both we and many others studying them have said before, The Beatles are a deceptively simple band to analyse, since so much of their fame and so many of their achievements look inevitable or preordained with the benefit of hindsight. However, their epoch-defining success was not as smooth as a cursory glance makes it appear. Mid-1965 presented the first of (arguably) two existential crises they faced in
by Ed Biggs It may not seem like it sometimes, but there’s a good reason why some people go on, and on, and on about Bob Dylan: it is quite impossible to overstate the influence he had upon the sound and structure of popular music. He was arguably the first pop musician to use the album format as vehicle to make an artistic statement – before 1964, the album was