Following three hotly-received EPs, Sheer Mag deliver a loving and beautifully executed album in thrall to classic rock.
As a standalone project, A Walk With Love And Death won’t be remembered as a Melvins classic, but more so as a poke in the back to anyone who thought there might be one foot entering the coffin.
After seven long years, the critically acclaimed Broken Social Scene return with a pleasant album which reminds us of their charms.
Chaz Bundick’s fifth album as Toro Y Moi sees the influences of ’80s pop creeping into his chillwave formula.
Having spent nearly four years on it, ‘Something To Tell You’ sees HAIM return with their critic and public-pleasing formula fully intact.
Public Service Broadcasting’s combination of atmospheric instrumentals and archived audio footage focusses this time on the demise of the Welsh coal mining industry.
Lucy Rose’s third album ‘Something’s Changing’ represents a huge artistic leap forwards.
The prolific Mark Kozelek recruits Parquet Courts bassist Sean Yeaton for his latest collaborative project.
Shawn Carter’s elder statesman role in hip-hop is long since secured, but ‘4:44’ doesn’t particularly add to his legacy, failing to make its desired social commentary stick in the mind.
Vampire Weekend bassist Chris Baio convincingly strikes out on his own once again with his second solo album ‘Man Of The World’.
