‘Transfiguration Highway’, the sixth album from Canadian indie act Little Kid, is a warm and welcoming record recalling folk from the Sixties and Seventies.
A new side-project headed by Interpol’s Paul Banks, ‘Muzz’ is functional but ultimately nowhere near ambitious enough to transcend its origins.
A curate’s egg only of interest to hard-bitten Sufjan fans, ‘Aporia’ is a series of frustratingly half-formed good ideas recorded with his stepfather Lowell Brams.
Grittier, darker and more emotionally honest than anything he’s ever done, ‘After Hours’ represents a step forward for Abel Tesfaye.
Vibrant, soulful and urgent, Newcastle’s Lanterns On The Lake reach a new level with fifth album ‘Spook The Herd’.
Jeremy Warmsley and Elizabeth Sankey’s first Summer Camp album in five years, ‘Romantic Comedy’ is a completely brilliant analysis and subversion of pop culture’s presentation of love.
A masterpiece that conflates personal reflection and identity with global political anxieties, ‘Kiwanuka’ is a career defining moment.
Some aspects of ‘Surviving’ might make it alarming for long-term fans, but the record is one of Jimmy Eat World’s most quietly innovative.
