After a four year wait, London Grammar play things very conservatively on their second album, opting to refine and polish the sound of the first rather than break new ground.
Dan Auerbach’s ambitious recording project ‘Waiting On A Song’, recorded with a host of Nashville’s most legendary artists, is lovingly executed if rarely better than solid.
Hannah Rodgers’ debut album under her recording moniker Pixx promises a fantastic future.
Stepping out of the shadow of One Direction for the first time, Harry Styles’ self-titled debut is confident, surprisingly enjoyable and mostly credible.
Björk’s sixth studio album ‘Volta’ was yet another startling and original musical vision from one of pop music’s greatest auteurs.
Joe Goddard, of British dance legends Hot Chip, goes solo with a competent, club-ready album in ‘Electric Lines’.
After their resounding success in 2014, Future Islands make the art of the ‘difficult follow-up’ album look incredibly easy with ‘The Far Field’.
After two albums of solid post-punk, PINS introduce electronics into their sound on new EP ‘Bad Thing’.
Circa Waves’ make-or-break second record ‘Different Creatures’ expands the sound of their debut, making for festival-ready tunes their fans should lap up.
Minnesotan indie four-piece Hippo Campus’ debut album ‘landmark’ lives up to the sterling live reputation they’ve built themselves over the last four years.
