SZA’s much-anticipated debut album ‘Ctrl’ delivers handsomely, full of insightful and on-message slow jams and genre-mashing fun.
Whether ‘DAMN’ will be the cultural crossover its predecessor was remains to be seen, but what is clear is that Kendrick Lamar’s fourth album is another glorious record.
by John Tindale It has been a tough time for Top Dawg Entertainment in recent years. Yes, there has been the unrivalled success of Kendrick Lamar and his classic To Pimp A Butterfly, but on the whole, the label’s reputation and visibility has certainly dropped from its peak buzz back in 2012. Jay Rock’s 2015 album 90059 remains painfully underrated and Ab-Soul’s These Days was passable at best, but in ScHoolboy
by John Tindale Kendrick Lamar may already have registered himself as one of the greats before the age of 30; having released the classic good kid, m.A.A.d city in 2012, he went on to better himself with what will certainly be regarded as one of the very best records of the decade, To Pimp A Butterfly, last year, so the surprising news that we are now getting some extracts from the