In a sentence:
With their latest EP ‘Life Goes On’, Geoff Barrow’s side-project Beak> quietly affirms itself as one of Britain’s most boundary-pushing bands.
As one-third of Portishead, Geoff Barrow was a key player in the emergence of trip-hop that blossomed out of Bristol in the early-1990s. His creative impulses haven’t wavered since. Alongside the three peerless albums he’s made with Portishead, Barrow has continued to make a name for himself both as a producer and a film composer, and under the guise of ‘Fuzzface’, formed the hip-hop trio Quakers in 2012. Then there’s Beak>, the band with which he’s unleashed his most fervent experimentalism.
Calling their music challenging would be the grossest of
understatements; they have twisted the confines of genre with each album, carefully
balancing melody with all-out weirdness through a melting pot of atmospheric
synths, abrasive guitars and sinister rhythms. Thankfully, Barrow – plus
bassist Billy Fuller and keyboardist Matt Williams – pull no punches on their
latest EP Life Goes On. The title track kicks off
proceedings, which opens with the ominous cries of a Spanish girl, before delving
into a swampy psych groove that’s dominated by a gnawing synth line and
thrusting cowbells. It’s a great start to the EP, but the band instantly go one
better on ‘We Can Go’. With
its western-tinged guitars, desolate synths and towering drums, its an epic
exercise in melancholia that will have you floored by the time the track has
reached its heady crescendo.
The warped disco of ‘Minus Pillow’ doesn’t fare
quite as well, which despite its satisfying blend of tinny drums and robotic
vocals, suffers a little from its lack of progression. Luckily, things pick
back up again with the Mario Batkovic re-work of ‘Alle’ Sauvage’ (which featured
on Beak>’s 2018 album >>>), whose
prowess with the accordion transforms the electro-rock stomper into a
mesmerising swirl of sounds. It’s a hell of a way to close one of the year’s
best EPs – trust me, you’ll never look at or hear an accordion in the same way
Beak> might never receive the same level of adulation
that Barrow earned with Portishead in their pomp, but with Life Goes On, they have once again quietly reaffirmed their status
as one of Britain’s most boundary-pushing bands. (8/10) (Matty Watkin)
Listen to Life Goes On EP by Beak> here via Spotify, and tell us what you think below!
Tags: Beak>, Billy Fuller, Geoff Barrow, Life Goes On, Matt Williams, review
Although they're now reduced to a two-piece, the fourth Battles…
Sam Shepherd's second Floating Points album 'Crush' holds a mirror…
On their second full-length album 'The Beast In The Blueprint',…
Your email address will not be published.
This site uses Akismet to reduce spam. Learn how your comment data is processed.