In a sentence:
The swirling, punk-inspired explorations of indie, krautrock and jazz influences on Squid’s debut EP ‘Town Centre’ show why they’re so hotly tipped.
Riding a wave
of intelligent, innovative punk-inspired music that’s been sweeping the British
indie scene of late, Brighton-based quintet Squid’s output to date has
placed them as arguably the most exciting prospect to emerge from these politically
beleaguered isles in the last couple of years. ‘The Dial’ attracted
some well-deserved attention last last year, and their enervating, panicky
addressing the quicksand trap that is private-sector renting, earned them a prominent
playlisting on BBC Radio 6Music earlier in 2019, a pattern of success that they
continue with a new four-track EP, Town Centre.
READ MORE: In conversation with Squid
The key to
Squid’s compelling music is that, although they’re unmistakably a punk band,
they only use it as a starting point, a platform from which to engage with all sorts
of other influences, from introspective indie to more avant-garde sounds like krautrock
and jazz. Ollie Judge’s drumming is the primary creative engine, an inversion
of the standard formula that sees the bass and guitars used for textural
purposes, consumed in the swirling rhythmical vortexes that Judge’s drumming
generates. As such, it allows Squid to explore dramatically different territory
than you might ordinarily expect, and that’s reflected throughout Town Centre’s
patient 23-minute runtime.
It’s a bold
move to open an EP with an instrumental, but such is Squid’s natural confidence
that the mournful jazz trumpet that heralds ‘Savage’ can meander into a slate-grey,
faintly menacing ambience and hold the attention without a word being uttered.
The fidgety, restless Fall-esque indie-punk of ‘Match Bet’ sees drummer-singer
Judge open his mouth for the first time on the EP, with his neurotic outlook
about “red wire / blue wire / they all look the same / with my history there
is no luck” coming across like a modern-day David Byrne, before it heads to
a motorik-powered finale.
single ‘The Cleaner’
makes an appearance in an extended, 7-and-a-half minute form. An indie
dancefloor-rager that doubles up as a commentary on class in the context of a
zero-hours, gig economy (“a faceless hive with a faceless hello”), it’s
the best showcase for Judge and co-singer Louis Belase’s vein-popping vocals. Town
Centre winds down in a similar manner in which it started, with the
chilled, Neu!-like rhythms of ‘Rodeo’
chugging along gently to its conclusion – again, the group are assured enough
to leave it nearly three minutes before the vocals kick in. If Squid’s star
continues to rise in a similar manner, we can expect a truly wonderful debut
album at some point in the future! (8/10) (Ed Biggs)
Listen to Town Centre EP by Squid here via Spotify, and tell us what you think below!
Tags: Anton Pearson, Arthur Leadbetter, Laurie Nankivell, Louis Borlase, Ollie Judge, review, Speedy Wunderground, Squid, Town Centre
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