Sam Beam’s sixth Iron & Wine album ‘Beast Epic’ sticks very closely to the same formula that’s made him such a celebrated figure in the indie/folk scene for so many years.
The award-winning soundtrack for Robert Pattinson’s new crime drama ‘Good Time’ represents some of Daniel Lopatin’s very best work.
Stuffed with already familiar hits and sparkling new tracks, Declan McKenna’s keenly awaited debut ‘What Do You Think About The Car?’ feels like an instant modern classic.
Chaz Bundick’s fifth album as Toro Y Moi sees the influences of ’80s pop creeping into his chillwave formula.
Despite the title, Imagine Dragons show absolutely no sign of moving forwards from the shiny, anthemic bombast of their previous albums.
After a four year wait, London Grammar play things very conservatively on their second album, opting to refine and polish the sound of the first rather than break new ground.
Dan Auerbach’s ambitious recording project ‘Waiting On A Song’, recorded with a host of Nashville’s most legendary artists, is lovingly executed if rarely better than solid.
Hannah Rodgers’ debut album under her recording moniker Pixx promises a fantastic future.
Stepping out of the shadow of One Direction for the first time, Harry Styles’ self-titled debut is confident, surprisingly enjoyable and mostly credible.
Björk’s sixth studio album ‘Volta’ was yet another startling and original musical vision from one of pop music’s greatest auteurs.