by Ed Biggs As the celebrated songwriting force behind the infrequently operational outfit Beirut, Zach Condon has always given his music a different international flavour for each project. He moved from the Balkan folk-influenced Gulag Orkestar to the graceful orchestral flourishes of 2007’s The Flying Club Cup in little over 12 months, before overhauling the sound for 2009’s March Of The Zapotec / Holland double EP. All three projects were among the
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