by Ed Biggs As one of the many artists that made 2013 such an unusually strong year for good comeback records, Suede’s first album in 11 years, Bloodsports, at last provided the appropriate full stop to their legacy that their output in the ‘90s deserved, and which 2002’s dire A New Morning singularly failed to provide. Having cleansed our palates from that sour aftertaste, Brett Anderson and his gang must now
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