by John Tindale After fading into obscurity, Chairlift are back, following up from hit-and-miss 2012 album Something, they took their time about releasing follow-up record Moth. One can’t help but feel sorry for the Brooklyn duo, with incredible songs like ‘Bruises’ being drowned out by the Mumford-induced folk epidemic and then mistiming their wonderful blend of ‘80s revivalism long before it began to gain success on both sides of the Atlantic,
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