by Ed Biggs A quarter of a century after the release of Spiderland, the second and final studio album by the short-lived Louisville four-piece Slint, it’s extremely difficult to imagine the state of the modern guitar music scene without it. Released on Corey Rusk’s Chicago-based Touch And Go label, one of the impressive network of indies that made up the 1980s American underground, it sold virtually nothing at the time, and
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