by Ed Biggs Canadian-born indie troubadour Mac DeMarco became the toast of the indie underground in 2014 with Salad Days, a breezy album of bedroom song sketches that benefitted from sounding spontaneous and demo-like. He’s following it up with a brace of mini-albums in the form of Some Other Ones (consisting entirely of instrumentals) and Another One. It’s not explicitly personal in the same way as Salad Days – by all
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