by Ed Biggs Faded Hollywood glamour, tales of doomed runaways, naivety and shattered dreams… pretty much everything you need to know about Lana Del Rey’s third album Honeymoon is communicated to you by its bleached-out, garish cover art. It comes barely a year after her quite wonderful second effort Ultraviolence, which smoothed over the shortcomings of her 2012 debut Born To Die. Where her first made her seem like a dilettante,
Continue reading…
