The Student Playlist

Showcasing the Best New Music, Curating the Classics

Tag album

REVIEW: The Avalanches – ‘Wildflower’ (XL)

by John Tindale Way back in November 2000 – which, from the point of view of 2016, is so long ago it may as well be ancient history: before 9/11, and when Napster was still a thing and iPods weren’t – Australian music collective The Avalanches released their first full-length LP Since I Left You, which was one of the most creative and original albums of the decade. Constructed with painstaking

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REVIEW: The Julie Ruin – ‘Hit Reset’ (Hardly Art)

by Ed Biggs As the prime mover behind riot-grrl poster band Bikini Kill in the ‘90s and then the electro-pop influenced cult heroes Le Tigre, Kathleen Hanna’s status as an alternative music legend has long since been secured. Having spent many years in the late noughties off the grid, recovering gradually from the debilitating condition Lyme disease, Hanna was musically reinvigorated with the release of 2013’s album Run Fast with her

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REVIEW: Aphex Twin – ‘Cheetah’ EP (Warp)

by Ed Biggs Just like English buses, you wait for what seems like forever for new Aphex Twin material to be released, and suddenly loads come along at the same time. Having dropped the impressive album Syro, his first original material in 13 years, in September 2014, the quixotic and imcomparable Richard James has now released his second EP in 18 months.

REVIEW: Bat For Lashes – ‘The Bride’ (Parlophone)

by John Tindale When Bat For Lashes released a collaborative single with Toy, a cover of Iranian psychedelic cult hero Amir Rassaei’s ‘Aroos Khanom’ back in 2013, a track that translates as ‘The Bride’, not many people will have realised this was the beginning of a new album cycle for Natasha Khan. But from the odd early formation The Bride, the fourth LP from the Londoner is perhaps her most effervescent

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REVIEW: Blood Orange – ‘Freetown Sound’ (Domino)

by Ollie Rankine Although a significant degree of social progress has been achieved since the mid-20th century civil rights movement for black Americans, 2016 still bears witness to countless acts of unthinkable and unthinking prejudice and discrimination. It seems fitting that Devonté Hynes’ racially charged third record under the name Blood Orange follows up his 2015 track, ‘Do You See My Skin Through The Flames’, which was incidentally released during the height

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REVIEW: Metronomy – ‘Summer 08’ (Because)

by John Tindale In the summer of 2008, everything was just beginning to blossom for Joseph Mount, the figurehead of Metronomy. After hinting at an eclectic greatness in debut effort Pip Paine (Pay The £5000 You Owe) it was in 2008 where Mount was able to establish his bedroom Metronomy project as one of the most needed acts in the UK with Nights Out an album equal parts chaos and pop

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REVIEW: Hot Hot Heat – ‘Hot Hot Heat’ (Kaw-Liga / Culvert)

by Ed Biggs Back in 2003, while the music world was still feeling the reverberations of the Strokes and Stripes reigniting popular interest in all things guitar, came what should have been one of the epochal indie hits of the decade. ‘Bandages’, a giddy, intoxicating whirlwind of angular guitars and new-wave keyboard riffing by Canadian bright young things Hot Hot Heat, would surely have become a huge Top Ten hit for

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REVIEW: DJ Shadow – ‘The Mountain Will Fall’ (Mass Appeal)

by John Tindale It has been 20 years since DJ Shadow’s classic debut album Entroducing… – one of the most ambitious records of all time, and the first album to be constructed entirely from samples – but since then Shadow, a.k.a. the crate-digging ingenue Josh Davis, has largely been hit and miss, ranging from the mainly great The Private Press in 2002 to the severely lacklustre The Less You Know, The Better

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REVIEW: Deerhoof – ‘The Magic’ (Upset The Rhythm)

by Ollie Rankine Having now tucked 20 years of sporadic, noise rock-induced chaos under their belts, San Francisco quartet Deerhoof reveal no intention of pulling the plug from the amplifier any time soon. Being no stranger to distortion that’s so dirty you can taste it, Deerhoof continue their illustrious career with the volume remaining well and truly turned up to eleven with their 17th album, The Magic.

REVIEW: Red Hot Chili Peppers – ‘The Getaway’ (Warner Bros.)

Red Hot Chili Peppers’ first album in a little over five years The Getaway marks a significant changing of the guard for the band, with their previous producer Rick Rubin, who has been behind every Chilis album dating back to 1991’s breakthrough Blood Sugar Sex Magik, being replaced and a wholesale integration of Josh Klinghoffer, seeing him settle into his role more comfortably following the departure of longstanding six-stringer John

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