by John Tindale “I always believed I had the potential to be a pop star,” Roisin Murphy quipped on her return to music after eight years away with the excellent Hairless Toys, the follow-up to possibly the most underrated album of the noughties in Overpowered. But, as is the case with many stars, Murphy never seemed to transcend popular culture, in just the same way as her similarly underrated group Moloko
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