by Ed Biggs By the time 1966 rolled around, The Beatles had unquestionably re-asserted their primacy in British pop music as a creative force, in addition to their long-standing commercial triumphs which had never shown any sign of flagging. Rubber Soul, hot on the heels of Help! in 1965, had been one of pop’s greatest artistic achievements, and their relentless touring schedule had ground on in the face of exhaustion. But
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