by Ed Biggs Florence + The Machine was probably the last seriously big pop act to emerge from the noughties, the bracing and physical voice and the startling, gothic imagery of Florence Welch’s songs propelling her 2009 debut Lungs and its 2011 successor Ceremonials to platinum-selling status on both sides of the Atlantic. For her third album How Big, How Blue, How Beautiful, Welch parts ways with James Ford and Paul
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