Much more than just battle-hardened survivors, The Prodigy’s latest album ‘No Tourists’ finds them in fresher form than at any point in the last decade.
Although it’s brief, Public Service Broadcasting remain on top form with their latest EP ‘White Star Liner’, a moving evocation of the construction, sinking and discovery of the Titanic.
Robyn is back, at long last, breathing fresh air into pop music with her first album in eight years, and ‘Honey’ only shows how much her presence was needed.
Vaporwave pioneers Stardazer dazzle with another great EP of retro-futurism in ‘Hong Kong Memories’.
Regaining the screaming, cathartic impetus they had lost the last time out, Dylan Baldi’s Cloud Nothings hit top form with fifth album ‘Last Building Burning’.
John Grant’s fourth album ‘Love Is Magic’ is an Eighties pop extravaganza that crystallizes the absurdity and vulnerability of romantic and sexual experiences.
‘Trench’ is the mature and well-crafted Twenty One Pilots album to date, achieving tonal coherence and with some of the best production in current alternative music and an intriguing dystopian narrative thread running through it.
Ferocious and multi-faceted, Estrons long-awaited debut album ‘You Say I’m Too Much, I Say You’re Not Enough’ fully delivers on the years of expectation.
A compelling fusion of stoner rock and doom metal that exponentially ups the power of both genres, Pigsx7’s full-length debut album ‘King Of Cowards’ is a triumph.
One of the most anticipated British debuts of 2018, The Blinders deliver a fully rounded rock statement with ‘Columbia’ but leave their future open.
