The outrageously talented Ella Yelich-O’Connor doubles down on her existing sound for her second full-length album ‘Melodrama’.
Following their meteoric rise to the top three years ago, Royal Blood stick to their guns and offer up more punishing riffage on ‘How Did We Get So Dark?’
Following up a promising debut just 13 months ago with an excellent second album, Big Thief are becoming one of the most exciting bands of 2017.
SZA’s much-anticipated debut album ‘Ctrl’ delivers handsomely, full of insightful and on-message slow jams and genre-mashing fun.
For their 13th album ‘Different Days’, The Charlatans raid their contacts list to help them produce their best album in two decades.
‘Black Origami’ is a modern electronic masterpiece, strikingly original and promising a huge artistic and commercial future for Jlin.
Girlpool’s second album ‘Powerplant’ both expands and refines their playful lo-fi sound.
Full of beautiful yet unsettling ambience, Matthew Barnes’ second Forest Swords album ‘Compassion’ is more than worth the four-year wait.
Slowdive’s first album in 22 years might just be their best.
Mac DeMarco is one of the greatest crafters of the love song working today, as exemplified on his mellow third album ‘This Old Dog’.